Ghost-Tone Floral Line Work Across the Full Lid

Peony blooms and trailing botanical branches are printed across the entire lid surface in a near-white tone — ink so close to the pulp ground that the illustration sits just at the threshold of visibility, shifting from background texture to detailed line work depending on light angle. Stems, leaves, and florets are rendered with the stroke weight of botanical illustration, but the ghost-tone treatment keeps the composition from competing with brand text placed centrally on the same panel. The print wraps toward the lid edges without hard borders, giving the surface an unframed, organic quality.

Lid-and-Base Stock Mold, Deep Tray With Secure Bottle Fit

The lid lifts free of a deep-draw base housing a compression-molded tray that grips the bottle at its base and neck profile — no foam block, no tissue layer needed to prevent movement in transit. This molded fiber tray on a public stock mold accepts standard 30–100ml perfume and cosmetic bottles without secondary padding. Brand name, floral tone depth, and text layout are adjustable per order — the mold requires no tooling modification and carries no development fee, making it a practical base for fragrance and cosmetic brands that need a refined surface without a custom structure.

Compostable Fiber, Ghost Print Without Coating

Virgin wood pulp forms lid, base, and inner tray with no plastic film, no synthetic lining, and no surface treatment applied before or after printing. The ghost-tone botanical print uses water-based ink at reduced pigment load — low enough to blend with the white pulp ground, high enough to hold fine stroke detail without bleeding. The finished box composts without material separation. Biodegradable white perfume packaging with tonal botanical illustration at this subtlety is a process-specific result — uncoated pulp absorbs ink in a way coated board does not, and the ghost effect only works cleanly on fiber.